The biggest improvement of Triton was in the sound: new multisamples and better processing, combined with five insert effects per program. The original Triton introduced many improvements over the Trinity, like 62-note polyphony, dual polyphonic arpeggiators, RPPR phrase recorder, onboard sampler, greatly improved effects & routing possibilities (including the processing of external signals via the internal effects), larger synthesis modulation matrix, faster operating system, significantly faster touchscreen response, sample ROM expandability, enhanced UI including category search (ability to browse through related groups of sounds like pianos, brass, strings, etc.), redesigned sequencer, more realtime controllers including knobs, portamento, and availability of multi-timbral MOSS synthesis expansion (whereas Trinity's MOSS expansion was mono-timbral). The Triton "Classic" followed the Trinity's naming conventions of the Pro and Pro X being designated to models featuring 76 and 88 keys respectively (that naming system actually started with previous 01/w series, also available with 61 keys (base and -FD models), 76 (01/wPro) and 88 (01/wProX). The two ranges are aesthetically and functionally very similar. The Korg Triton line is considered the direct descendant of the earlier Korg Trinity line of workstations. KORG M3, KORG Triton, 2 KORG Radias-R and Mackie 1402 VLZ3, with MIDI Merge and Thru boxes sitting on the M3 (left and right respectively) History and pedigree
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |